The Green Mile

P is for Prison
Guest Review by Mike Flores

A supernatural story being discussed as a shoo-in for Best Picture? Believe it, friends, and what a way to end this century.

Not that I didn’t step into the theater without a great deal of trepidation. The movie is three hours long. It stars Tom “Toy Story” Hanks. It’s made by Frank “The Shawshank Redemption” Darabont. I hate the fact that films today lack pacing (I blame television showing films with commercials for so many years before cable), but I must confess that I didn’t check my watch for the entire length of the movie. This is quite a good trick, as most of the film takes place in prison. The plot, the acting — it all comes together and pulls you in so deep, the time is the last thing you think about. There is even a gruesome failed execution that wouldn’t have made it onto the cable version of Tales From the Crypt. Continue reading

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End of Days

Schwarzenegger vs. Satan

The apocalypse has been the general theme running through genre films in 1999, so why shouldn’t larger than life Arnold Schwarzenegger get in on the action? And what better foe should he take on in his first film after heart surgery than Satan himself? Continue reading

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Phantom of the Opera DVD

Argento conducts the cellar dweller

Like Moses, a babe is left in a basket to float down a river — but instead of being found by the wife of Pharaoh in the bullrushes to be raised a prince of Egypt, this baby is raised by rats in the Paris sewers to be an opera ghost. Continue reading

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Peter Pan DVD

Girls will be boys

Unfortunately, as with most of children’s literature at this point, many people today believe Peter Pan to be a creation of the Walt Disney Company. This video release of the original 1924 film, from an original nitrate negative preserved by George Eastman House, reveals just how much of past productions Disney took for their animated feature. Continue reading

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Ice from the Sun VHS

Fresh Blood from the Heartland

A 1998 horror fantasy, shot in Missouri by writer/director/editor Eric Stanze.

Allison (Ramona Midgett) commits suicide, but instead of escaping whatever her problems are (apparently the inability to eat her breakfast), she finds herself standing naked in some sort of limbo. Here, a Voice fills her in on mucho backstory, telling a tale of a sorcerer named Araham (DJ Vivona) inhabiting and controlling a dimension of his own making – surrounded by ice from the sun, enemy of angels and devils, spending time torturing abducted souls in contests he can’t lose. Continue reading

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Maniac / Narcotic DVD

Esper classic double feature

This pair of exploitation roadshow features from producer/director Dwain Esper happily makes their DVD debut in a definitive deluxe double feature from Kino on Video.

Esper was one of the notorious “40 Thieves”, a group of cinema showmen that made and distributed films outside the Hollywood studio system, often blatantly going beyond all the boundaries of good taste in subject matter, but easily selling his product town to town in the guise of educational programming. Continue reading

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The Messenger: The Story of Joan of Arc

Don’t shoot me!

Good thing they tacked on that subtitle, or else I would’ve been looking for the bicycle through the whole picture.

Here’s the ex-husband-and-wife team of Luc Besson and Milla Jovovich (The Fifth Element) with their latest epic, leaving bible-thumpers with a choice of whether to protest this film, Dogma or Julien Donkey Boy this weekend. It’s the umpteenth re-telling of the story, but the only one I’ve seen so far that I can understand. Continue reading

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Dogma

Look Ma, no doG!

It’s long been a tenet of the SubGenius faith that we think Jesus is a swell guy – it’s his fan club we’ve got a problem with. They’ve been misquoting and sinning in His name for 2000 years (more or less), and that should be righteously ticking off those that really believe in Him. Instead, they’re mad as hornets, all stirred up and condemning a wave of anti-catholic films released this year, the latest of which is Kevin Smith’s latest Dogma. Continue reading

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Being John Malkovich

Pull the string!

This is a wonderfully weird fantasy from the mind of screenwriter Charlie Kaufman and Beastie Boys video director Spike Jonze.

John Cusack (Grosse Pointe Blank) stars as Craig Schwartz, a nebish puppeteer who takes a filing job to help support his wife Lotte (Cameron Diaz in ‘frumpy’ drag) and her always-ailing menagerie. There, he meets and falls for Maxine (Catherine Keener), an attractive woman who works at an undetermined position in another office.  Schwartz fails to make an impression on Maxine, until one day he accidentally comes upon a hidden door behind a filing cabinet. The door leads to a vortex or conduit that transports him inside the mind of actor John Malkovich (as himself, teaming with Cusack for the first time since Con Air) for approximately 15 minutes.

Though Maxine apparently feels no compulsion to enter the door herself, others (especially Lotte) can’t get enough of the experience, and Maxine coerces Craig into exploiting his discovery. Weird romantic and metaphysical complications ensue.

Yes, it’s the same old Hollywood formula plot. Well, no – outside of Brainstorm and Strange Days, I don’t think there’s ever been anything quite like it.

The implications of this device are astounding. What does it say about the nature of the soul? What is the nature of fame? Why John Malkovich? Did he have to audition for the part? What happens when Malkovich goes through the door himself?

All these kinds of concepts are addressed, but the tone stays consistently deadpan throughout, taking full advantage of the comic implications. Though Kaufman has dreamed up a completely bizarre concept for his story, he’s also populated it with many others: much of the action takes place on a floor of an office building apparently built for midgets, but populated by none. A chimpanzee who must overcome a childhood trauma to save the day. A hearing impaired woman who believes everyone else has a speech impediment. And then there’s the matter of Malkovich’s best friend.

Being John Malkovich is one of the strangest trips to be put on film in many years. See it. Enjoy it. Be it.

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House on Haunted Hill

Boo and Boo again – Castle lives!

While earlier this year Jan DeBont’s remake of The Haunting failed because it lacked the emotional connection to hold it’s marvelous f/x together, William Malone’s update of the 1958 William Castle camp classic succeeds – simply because it needs no emotional depth. HOHH is an amusement park spook house attraction, souped up with the latest in shocks, creeps and scares. Outside of haunted houses, the only thing the two remakes have in common is Lisa Loeb. Castle, whose daughter Terry produced, would approve. Continue reading

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